Performance at Clareira at the Museum of Contemporary Art, Sao Paulo, Brazil
Picture: Wagner Khouri
© Copyright ANA AMORIM
Counting Seconds Performance at the Museum of Contemporary Art, Sao Paulo, Brazil
© Copyright ANA AMORIM
Videoperformance.
© Copyright ANA AMORIM
Counting Seconds Book used in performance/exhibition.
© Copyright ANA AMORIM
Counting Seconds Performance. ICA London, UK.
© Copyright ANA AMORIM
printing on paper (29.7 x 21 cm)
The Art Contract regulated all my interactions with the art system 2001 to 2016. The contract was an ethical document of intention, which I submitted in order to mediate the negotiations with art spaces which manifested interest in showing the “registers of my life”. The Art Contract became a very radical work, since it questioned sponsorships from large financial groups, oil and mining companies that use ‘artwash’ to cleanse their corporate image. As a consequence, the contract isolated my practice that became invisible for more than 16 years.
Performance 17082021-3.288-137-65, for 1 hour.
“Sem trabalhadores não se preservam acervos.”
Picture: Wagner Khouri
© Copyright ANA AMORIM
Gathering of 6000 indigenous peoples from 176 groups, near the Praca de Tres Poderes, to monitor the land repossession suit moved by the government of the state of Santa Catarina against the Ibirama-Laklãnõ indigeous land demarcation, where the Xokleng, Guarani e Kaingang communities live, based on the “Marco Temporal”.
Picture: Wagner Khouri
© Copyright ANA AMORIM